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The Melbourne band hide painful truths within dissonant, jagged art pop arrangements; an ennui-laden take on the new wave revival.
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"Axebreaker" is a self-proclaimed anti-fascist power electronics project that rejects the ideological grey zone that haunts much of the noise landscape.
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Adaptive Emotional Use
by Death Kneel
The Total Black label have done it again, with this grim and punishing noise outing from Death Kneel.
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The brilliant Oil Thief returns with seven new songs of rhythmic, punishing, quasi-industrial electronics.
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On her latest record, Margaret Chardiet explores the ways human beings destroy one another.
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The veteran noise unit takes on themes of loneliness and isolation with their harsh, disquieting soundscapes.
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Brutality in Stone
by Axebreaker
The latest from Terence Hannum's anti-fascist power electronics project uses claustrophobic noise to evocative, visceral ends.
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